Being a native Midwesterner I grew up on backyard summer barbecues where a particular grilling favorite in St. Louis was the delectable pork steak. But what made the pork steak so good was the corn on the cob, baked beans, and potato salad that went with it. Those side dishes added flavor, spice and textural contrasts against which to savor the main course.
Well, it is the presentation of compatible athletic tastes and textural delights that has always been one of the track and field’s greatest appeals. Today, two of the best T&F meets in the world arrive on the calendar, the Exxon Mobil Bislett Games in Oslo, Norway, and the beginning of the 2014 NCAA Outdoor T&F Championships in Eugene, Oregon. Both meets have compelling story lines, but I wonder if my viewing will reflect a recent watching of two other top meets on TiVo?
Last week I re-watched coverage of the SEC Track & Field Championships on ESPNU, then immediately reviewed the Prefontaine Classic from NBC Sports. Surprisingly, what stood out was how much better the SEC presentation was than the Pre coverage. Not in terms of performances, camera angles or announcing. Obviously, the world-class performances in Eugene were superior to the SEC races, just as the fields in Oslo represent the very best track & field talent the world has to offer. No, what stood out was how the narrative thread of team-based competition throughout the SEC program gave coherence and meaning to the coverage that was totally missing in Eugene at Pre.
At the SEC’s in Lexington, Kentucky Dwight Stones and Larry Rawson presented the team element very usefully on ESPNU, while the efforts of Tom Hammond, Ato Boldon, Craig Masback and Dwight Stones for NBC at the Pre meet came in the service of unconnected, stand-alone events. While every race at the SEC’s had an individual champion and particular story line, the linking element of team competition gave the meet a competitive arc and payoff for viewers to latch onto and follow.
On the other hand, while the Pre Classic produced a string of world-class performances, led by Galen Rupp’s American record over 10,000 meters, what stood out was the lack of any narrative thread beyond that. It was all a bunch of individual snapshots, not a building drama. Each non-sprint was staged as a series of predetermined paced laps with only the final lap, perhaps two in the case of Rupp, turning into a full out competition. It was hard not to fast forward to the moments of actual engagement as, once again, we were reminded why track and field has lost contact with the casual sports fan. Continue reading